Logic Pro X Autotune Plugin Free

Best free plugin for Auto-tune? Logic Pro X is the one being used. Checking into some but curious what the most recommended one is. Save hide report. Get One Of The Best Pro Tools Instrument Plug-ins Xpand!2 For Studio One Free - Normally $69.99 Free Plug-in Of The Week - U-he Protoverb New Free Snapshot Plug-in Offers Hardware Lovers The Chance To Store Settings In Studio One.

• Antares has recently come out with a fantastic upgrade to their flagship pitch correction plug-in, Auto-Tune. The new Auto-Tune Pro has a completely redesigned interface, making it easier and more intuitive to use than ever. Logic X’s Flex Pitch is a fantastic asset to us all, and it’s free of course.
• Audio plugins,Free plugins for Logic Pro X,Free music software,free audio app and free plug-in downloads,free VST/AU plugins for your PC or Mac,32/64-bit, Freeware. External plug-ins (such as The T-Pain Effect, or Antares Auto-Tune) We're going to focus on using the first two options in Logic Pro X, and how you can get using auto-tune to create.
• How to Use Autotune in Logic Pro XMore Free Logic Pro Videos - Correction effect overview for how to do autotune on logic pro x.
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Logic Pro X Autotune Plugin Free

Audio plugins,Free plugins for Logic Pro X,Free music software,free audio app and free plug-in downloads,free VST/AU plugins for your PC or Mac,32/64-bit, Freeware.

The Vocoder has been around for a long time—originally developed in the 1930s (!), and used for voice synthesis and even encryption (in WWII), it was adapted for musical use (by Bob Moog, among others) in the ’60s and ’70s, where its range of effects was heard on recordings by artists like Kraftwerk, Wendy Carlos (the Clockwork Orange score), ELO (“Mr Blue Sky”), Styx (“Mr Roboto”), and even Doctor Who (at least one version of the theme music). More recently, Vocoder effects have been incorporated into music by various artists, ranging from Coldplay to Daft Punk.

Vocoders are capable of quite a number of effects, from harsh, metallic Robot Voices (Cylons), to a quantized pitch effect similar to the Auto-Tune effect. But the classic Vocoder synthetic voice effect is the “singing instrument” or “singing synthesizer”. This is where a vocal is superimposed on an instrument, so it sounds like the instrument is singing—some classic examples of this particular effect are ELO’s “Mr. Blue Sky” (middle and end), and The Cars’ “Dangerous Type” (at the very end).

How Vocoders Work

The effect requires two signals—the instrument or synthesizer, which provides the tone and music—chords and/or melody—and the vocal, which articulates the words. The vocal doesn’t have to be sung (though it can be)—even a spoken word recording is fine—the pitches come from the instrument or synth. Here’s an example:

Fig 1 Logic’s EVOC 20 Vocoder processes a spoken word vocal recording

Audio Example 1 A spoken word vocal recording is used to create the classic “singing synthesizer” effect with Logic’s EVOC 20 Vocoder plug-in:

The EVOC 20

Logic has been good enough to include a Vocoder in its collection of effect plug-ins—the EVOC 20 (the E comes from the old days (Emagic) and the 20 is the maximum number of frequency bands—see below). In fact, Logic has not one, but three versions of this effect—two audio processors and an Instrument, which incorporates its own synthesizer.

These are fairly deep, complex processors, so I’m not going to explain them in full detail (that would be more of a book then an article!). For this article, I’m just going to show how to get that one classic “singing synth” effect, so I’ll cover a little of the basic theory and only the most key settings.

Of the three versions of the EVOC 20, two can be used for the classic effect we’ll be looking at here—the EVOC 20 PolySynth (the Instrument) and the EVOC 20 TrackOscillator (audio processor). Both can take a vocal and superimpose it on music—the PolySynth version uses its own synthesizer to provide the music (chords/melody), while the TrackOscillator version lets you apply Vocoding to an existing Instrument track (I used an organ in my example).

Filter this

Fig 2 The EVOC 20 Vocoder—the PolySynth (Instrument) version

The term Vocoder is short for VOice EnCODER. It encodes the characteristics of the voice using a bank of narrow-band filters—the EVOC lets you choose anywhere from 5 to 20. Looking at the EVOC 20 front panel (Fig 2) , you’ll see these in the center—more filters means a cleaner effect, fewer, a more pronounced artificial quality (somewhere in the middle (8–10–12) is a good choice). There are actually two filter banks—the Analysis and Synthesis banks.

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The Vocoder works by breaking up an analysis signal (the voice, in these examples, but it could be anything) into narrow frequency bands; the included Synthesizer is broken up into the same, corresponding bands. Each of the analysis bands is coupled to its own Envelope Follower, which controls the envelope of the corresponding Synthesizer band. This superimposes the shape of the analysis wave—the vocal—onto whatever the synthesizer is playing (chords, melody).

So why does this make it sound like the Synthesizer is singing? Well, a human voice produces a number of resonant peaks called Formants—several of these combine to create the different vowel sounds. As we speak or sing, we’re changing the formants, each of which occupies a narrow frequency band, as we change vowels—that’s how we form words. The Vocoder captures the changing envelopes of these Formants with its narrow Frequency bands, and the Envelope Followers apply those envelopes to the synth sound, making the synth, in effect, produce vowels, as if it were speaking the words of the vocal signal. Since the synth is holding notes and chords, it appears to be singing those words—and there it is, the “singing synth”.

The consonants in the vocal (analysis) signal are detected and passed through, or used to generate a separate noise signal—this lends greater clarity and articulation to the “singing synth”. All of these aspects can be tweaked with the various controls in the EVOC, giving you the option to push the effect either toward clarity or away, towards a more synthetic or edgy quality.

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Welcome to the EVOC PolySynth

Here’s how to get the classic effect with the EVOC 20 PolySynth. You’d insert one on an Instrument track, and you’ll need a second track, with a vocal recording (spoken or sung) to provide the words/syllables. The vocal track will be routed to the EVOC’s Sidechain input, using the standard Logic plug-in sidechain menu, in the upper right (Fig 3 A).

Fig 3 Setting up the EVOC 20 PolySynth for the classic Vocoder effect

There’s an Attack and Release control that determines the response to this signal—for the most intelligible vocal effect, set the fastest Attack that sounds clean (Fig 3 B). Just below right, choose the number of bands (Fig 3 C)—as I mentioned, more bands = cleaner, fewer bands = more pronounced effect (Audio Example 2).

Audio Example 2 The same signal, first with 20 bands, then 12, then 8:

Below the graph are the Formant Stretch and Formant Shift controls (Fig 3 D). These will alter the corresponding Synth Formants only, providing familiar tonal-shifting special effects (Audio Example 3). The Resonance control, to the right, can also be used to intensify the effect.

Audio Example 3 A Vocoded signal, with the Formant Stretch knob narrowed, then gradually widened; then the Formant Shift knob shifted down, then gradually shifted up:

Seafoam trans tune advance auto. Above the graph, you can set the overall bandwidth (Fig 3 E)—narrower bandwidths will also have a more pronounced synth-y effect (Audio Example 4).

Audio Example 4 The same signal, first with a wider bandwidth (150-6400 Hz), then a narrower one (300-3200 Hz):

To the left are the Synth controls (Fig 3 F), where you can dial up anything from an analog to an FM-type synth sound. These are your standard synth controls, so I won’t go over them here.

To the right, there’s a section labelled U/V Detection (Fig 3 G). U/V stands for “un-voiced”. These are the un-pitched portions of speech—the consonants. EVOC can detect these, and it will either pass them through, or generate a noise sound for them (or a blend of both), before passing the voiced components (the vowels/Formants) over to the analysis filter bank. The Sensitivity knob determines the response to the un-voiced components—too low, and the effect will lack clarity and intelligibility. The default setting (40%) is a good starting point (Audio Example 5).

Audio Example 5 The vocoded signal, first with the U/V Detection Sensitivity and Level settings at zero; then at their defaults (40% and 30%, respectively):

The Output section adds a Chorus option, and the Stereo Width knob can create either a mono effect (all the way down), or a stereo effect, by panning the different bands between left and right—centered, the bands ascend from left to right, at maximum, they alternate left and right (this control’s been at maximum for all the audio examples).

Vocode Your Own

Autotune Plugin Logic Pro X

Besides generating the classic Vocoder effect with the EVOC 20 PolySynth’s built-in synthesizer, you can also apply it to another Instrument. To do this, you’d turn to the EVOC 20 TrackOscillator audio plug-in instead. Simply insert it in any slot in the Instrument track of your choice—I’ve picked an organ track.

Fig 4 The EVOC 20 TrackOscillator lets you Vocode the Instrument of your choice

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As you can see (Fig 4), the key controls are mostly the same. If you wanted to preserve more of the Instrument’s natural sound, you could set a wider bandwidth, and more neutral Formant settings.

Audio Example 6 The EVOC 20 TrackOscillator creates a “singing organ”:

Cooking fever hack apk download android. Obviously, there are a lot more controls in these plug-ins, and a lot more effects on tap as well, but this is all we have room for now. If you’ve got Logic, and you’ve never bothered to play around much with the EVOC 20, there’s a wealth of cool effects waiting in there for you to discover!

Learn more about how to use the vocoder in Logic Pro X with this excellent video course by David Earl HERE.

Does Logic Pro X Have Autotune

If you like to play in Logic Pro X, one of the most important things you can do is know how to autotune!

Are your vocal performances coming out a little pitchy? Struggling to hit that high note? Maybe you captured the ultimate performance with loads of soul and feeling, but it’s not quite fitting in the mix due to some slight pitch issues.

Or, maybe you just want to be the next T-Pain, and apply some crazy pitch effects to your vocal recordings.

Whatever the case, learning how to auto-tune in Logic Pro X is not only easy, but will become an invaluable tool in perfecting your vocal recordings, and taking your production to the next level!

Let’s continue these logic pro tutorials with an expose on Auto-tune!

What Is Auto-tune?

Technically speaking, Auto-Tune is a piece of software created by Antares, but the effect has become so popularised in mainstream music that the name has kind of stuck. Typically, when producers, artists or listeners use the term auto tune, what they are talking about is pitch correction.

This step is best performed after you have added some plugins to your other tracks, and have started getting the song whipped into shape!

Pitch correction is a program or plugin used to correct off notes in vocals. Depending on the software, this can be done automatically or manually. You’ll learn about some different options for using in auto tune in Logic soon.

It can also be used as a creative effect, such is the case in a lot of modern hip-hop and RnB music, often dubbed the “T-Pain effect”.

After you get the auto-tune nailed, you will be ready to go on and mix your tracks in Logic Pro X!

Alright. Let’s get started…

When And Why To Use Auto-tune

This might seem obvious, but there are actually a few reasons you might want to use auto tune.

To Fix An Out Of Tune Vocal Recording

Probably the most common use for auto-tune is to correct any off notes in a vocal performance. It may seem like cheating to some, but actually this is an incredibly common technique.

Just about every singer you hear on record these days (especially in pop music) has some form of pitch correction applied, and we’ve become so adapted to hearing perfectly sung melodies that it can even sound strange hearing an unprocessed vocalist!

To Create A Specific Vocal Effect

Popular in modern hip-hop and RnB, heavily autotuned vocals have become a regular feature used by rappers and vocalists in these genres.

Popularised by T-Pain in the early 2000s, the sound is often referred to as the “T-Pain Effect”, so much so that iZotope has released a pitch correction tool that is literally called The T-Pain Effect.

The goal here is to apply auto tune to a vocal performance that is far out of pitch (or even monotonous), with the parameters at such extreme settings that the effects of the pitch correction plug-in are exceedingly obvious. You’ll learn just how to do this very soon as well.

To Create A Vocal Harmony

A little known use for pitch correction is to take the original vocal recording (which may already have had auto tune applied), and create a vocal harmony by changing the pitch of each note sung.

This achieves an effect that is not anywhere near as natural as a sung harmony, but natural isn’t always what we are going for!

Use Auto Tune To Level Up Your Music Production Skills

Given the wide variety of situations that pitch correction can be applied to, you can see why it’s an extremely vital skill to master.

Not only will you be able to fix bung notes (or seemingly unsalvageable performances) to deliver a higher quality end result, but you’ll also be able to apply the effect more creatively to diversify the sound of your audio productions, and bang out tunes that sound just like your favourite artists!

Does Logic Pro X Have Pitch Correction?

This is why we love Logic Pro X, and why you should too: the suite of audio processing tools that come with the program as standard cover all the bases, and they are extremely effective. (That means yes, yes it does).

There are actually a couple of different tools in Logic Pro that you can use for vocal pitch correction, depending on your desired outcome.

How Do You Autotune Vocals In Logic?

• Pitch Correction Tool – An intuitive and simple way to bring vocals in-tune
• Flex Pitch – A slightly more manual approach that gives you the ability to fine-tune a performance
• External plug-ins (such as The T-Pain Effect, or Antares Auto-Tune)

We’re going to focus on using the first two options in Logic Pro X, and how you can get using auto-tune to create pro level tracks.

Pitch Correction Plug-In

Step 1:

On the desired audio track, head over to the left hand side and click on a free Audio FX slot. You’ll find Logic’s Pitch Correction plug-in under ‘Pitch’ – funny that.

Step 2:

The plug-in GUI is admittedly a little dated, and kind of looks like something out of Star Trek: The Next Generation, but it does the trick. Rather well in fact.

The first thing you’ll want to do is the key/scale by using the Root and Scale drop down menus.

Step 3:

You’ll then want to select Normal or Low depending on the range of the sources. As a general rule, select Normal for female vocals and Low for male vocals.

But have a play around with the two options and see what sounds best to you!

Step 4:
Now play the track back, and use the Response and Detune sliders to achieve the perfect auto tune effect.

Response is a time based control, the lower the time, the faster the plug-in will react to incorrect pitches, and therefore the more noticeable the effect will be. Too fast, and the effect will be a robotic vocal sound.

Too slow, and Logic may miss some fleeting out of tune notes. Season to taste.

Detune should be adjusted if the track is consistently below or above the the centre of the bottom display. Again, adjust til you find the sweet spot.

Flex Pitch

Flex Pitch is a tool in Logic Pro X that allows you to adjust the pitch of a vocal performance note by note. That means you can select individual off notes to correct, rather than applying an effect over an entire track. This is a great idea if you are trying to get a more natural tone overall.

Step 1:

You’ll want to start by hitting the flex button in the edit window (Command+F).

Step 2:

From the drop down menu, select Flex Pitch. It might take a couple of seconds to initialize.

Step 3:

Zoom in on the vocal track, and you’ll see that Logic Pro has added some little blue boxes to the audio recording. These denote the pitch of each note.

Step 4:

From here, you can literally drag each of the blue boxes in your audio region to the desired pitch!

How Do I Record Auto Tune In Logic Pro X?

The Pitch Correction plug-in in Logic Pro can be used in realtime, if you have a need to auto-tune vocals on the way in.

Unfortunately the Flex Pitch function is a more manual approach, so if you like using correction on the way in, and Logic’s in built tool isn’t doing the trick, try some of these third-party plugins and see if they get you where you want to be.

• Antares Auto-Tune
• iZotope The T-Pain Effect
• Waves Tune
• Celemony Melodyne

Conclusion

So, now you’ve learned how to use Logic’s Pitch Correction tool to automatically alter a vocal performance, and the Flex Pitch function for a more manual, fine-tuned approach.

Now it’s up to you, get experimenting and start auto-tuning some vocal tracks!